Conceived and produced by visionary editor Fleur Cowles, Flair Magazine existed for only one year and twelve issues. Nevertheless, Flair launched a new aesthetic paradigm for mass-produced lifestyle magazines. The magazine combined art, fashion, travel, and reportage to take the most out of its Editor’s formidable influence in promoting European and American talent.
The double spreads pages are reproduced from the originals.
“High Society” published in December 1920 is a unique book celebrating the work of the star-illustrator Anne Fish. It’s a selection of drawings published on Vanity Fair US from 1914 to 1920. The book provides a unique, rich lens into American and international high society’s lifestyles.
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Ikonographia celebrates Bugatti Automobili’s myth with three posts using the splendid images of Roberto Bigano, Bugatti’s photographer in the 1990s. Romano Artioli , the founder of Bugatti and Gianpaolo Benedini, the Architect who built the facility tell us all the story.
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The full 1921 Abdulla ad campaign in the French magazine “La Vie Parisienne.” The star is Mélisande, a wealthy, young, elegant, and beautiful Parisian who goes to Monte Carlo to try her luck at the casino. Here she meets an elegant Englishman who woos her and with whom she gets engaged and finally marries three days before New Year’s Eve; her life unfolds between suitors, losses, and wins at the table and a lifestyle of unbridled luxury.
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In Sardinia, Italy, many still bake bread at home. For special events, like Easter and weddings, these bread sculptures, often showcasing high levels of both imagination and artistic ability, are given as an expression of good wishes. More intricate ones will be finely painted and include clothing like the Easter bread and egg dolls.
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